I adore epic fiction. It’s likely the fault of George Lucas and J.R.R. Tolkien. I was eight when Star Wars came out in 1977, and I’ll never forget staring wide-eyed at the opening image of the rebel ship and that star destroyer. Then Darth Vader emerged through that smoke-filled portal and it blew my mind. Later that…
A year ago today I published my first blog post titled What is Fresh-scraped Vellum? It analogized the medieval art of bookmaking to the task of writing a publishable novel in today’s world. It also promised book reviews and commentary on both classic and recent fiction in the historical and fantasy genres, along with posts…
Last week’s review of The Wind Through The Keyhole had me thinking about another of Stephen King’s more fairy tale-like books, The Eyes of the Dragon (you can read my review of it here). This is one of those rare novels that pulls off the use of an omniscient, storytelling narrator, and here’s how it…
My summer reading has gotten off to great start, and one book I finished very quickly was Stephen King’s new entry in his Dark Tower series, The Wind Through The Keyhole. It was a tremendously fun read, and my review follows this image of the book’s cover. Within the novel’s first two pages, I found myself…
I didn’t plan on a fifth post in my series on Narrative Viewpoint: The Good, The Bad, & The Ugly until I read an article on The Passive Voice about why some believe The Hunger Games movie was better than Suzanne Collins’ novel, in part because of narrative viewpoint (note, the Passive Guy was reporting…
In the third post in my series on Narrative Viewpoint: the Good, the Bad & the Ugly, I’m focusing on the good for a change, the viewpoint that I think works best for most stories: third-person limited. A great example of this viewpoint is George R.R. Martin’s A Song of Ice and Fire series. Each…
Once upon a time the most common narrative viewpoint was called third-person omniscient. The story was told through the point-of-view of an all-knowing storyteller who played no actual role in the novel except to relay story events. This was the rave back in the nineteenth century and in much of the twentieth century too, used by…
Lately I’ve been reading a mix of vintage and more recent novels in the historical and fantasy fiction genres, and I’ve come to realize I can get quite annoyed with narrative viewpoint. Even damn near curmudgeonly about it. Although there are several different types of narrative points-of-view, there are only two I really like, and…
Last week I read that Syfy Network is planning on turning Stephen King’s The Eyes of the Dragon into a movie or miniseries, perhaps trying to follow in the footsteps of HBO’s Game of Thrones. For those who haven’t read it, The Eyes of the Dragon is one of King’s fantasy novels and the one…
Last week I wrote about What Makes a Great Beginning to a novel. Today I am focusing on two beginnings that in my opinion best reflect the elements of a great opening passage. To recap, these elements include conflict (or the hint of conflict) and writing that sets the tone or mood for the story….
The final “cliché” in fantasy fiction needs little introduction. He is the granddaddy of all antagonists, the embodiment of evil that threatens the main character, and often the survival of kingdoms, continents, and worlds. Relatively recent incarnations of this antagonist, whose power usually dwarfs that of our poor hero, include Sauron from J.R.R. Tolkien’s The…